Search This Blog

Showing posts with label Locke and Key. Show all posts
Showing posts with label Locke and Key. Show all posts

Saturday, July 23, 2011

SDCC '11: Review: 'Locke & Key' Pilot


By Don M. Ventura

Friday at Comic Con, the makers of Locke & Key were finally able to air the pilot adapted from the Eisner Award-winning comic by Joe Hill and Gabriel Rodriguez of the same name, after Fox decided not to pick it up as a series for the 2011/2012 Fall season.

And I assure you, a mistake has been made. Director Mark Romanek (One Hour Photo) and writer Josh Friedman (War of the Worlds) faithfully adapted the comic book in a way that maintains the book’s dark core themes and characters, while still presenting entertainment that could air on network television. The production on this pilot felt cinematic for certain; one of the more surprising aspects of the pilot is that it covers the first volume of the series, “Welcome to Lovecraft.”


Wednesday, June 22, 2011

SDCC '11: 'Locke & Key' Pilot (Sorta) Sees Light of Day


Deadline is reporting that the Locke & Key pilot, that Fox passed over last month, will find its first audience at next month’s Comic Con. This makes me extremely happy for a few reasons—first, because I’ve recently become addicted to Joe Hill and Gabriel Rodriguez’s gothic mystery. Second, because it is scheduled for screening on Friday, July 22nd—I don’t have tickets for Saturday.

The Locke & Key pilot panel is currently scheduled for 10:30 a.m. and will feature Hill, Rodriguez, Josh Friedman (the writer of the episode), and producing partners Alex Kurtzman and Roberto Orci (the pilot screens in Room 8 and the panel will be held in Room 9). Something tells me that all involved are pretty damn proud of the final product. It’s unfortunate that Fox didn’t see it a product that they could sell to mainstream audiences.

The pilot was directed by Mark Romanek (One Hour Photo) and written by Josh Friedman (War of the Worlds) with Alex Kurtzman and Robert Orci (Star Trek). The pilot featured Nick Stahl (Duncan Locke), Jesse McCartney (Tyler), Miranda Otto (Nina), Sarah Bolger (Kinsey), Skylar Gaertner (Bode), and Mark Pellegrino (Rendell).

Locke & Key is the story of the Locke family, which is torn apart after the devastating murder of the family’s patriarch Rendell. Nina moves her children to Lovecraft, Massachusetts, to live with their uncle Duncan in Keyhouse—the mysterious childhood home of Rendell Locke. Before you know it, things grow darker as the mysteries of Keyhouse are learned and the lives of the Locke family grow more and more complex.

Wednesday, May 11, 2011

Fox Closes Door on 'Locke & Key'


The Hollywood Reporter broke news this morning that Fox has passed on the pilot for Locke & Key, the television adaptation of Joe Hill and Gabriel Rodriguez’s hit comic book series.

While I wasn’t sure how this book would translate to a series on network television, I got the feeling that the show was in good hands since Hill would also responsible for some of the eventual scripting. The pilot was directed by Mark Romanek (One Hour Photo) and written by Josh Friedman (War of the Worlds) with Alex Kurtzman and Robert Orci (Star Trek). The pilot featured Nick Stahl (Duncan Locke), Jesse McCartney (Tyler), Miranda Otto (Nina), Sarah Bolger (Kinsey), Skylar Gaertner (Bode), and Mark Pellegrino (Rendell).

Locke & Key is the story of the Locke family, which is torn apart after the devastating murder of the family’s patriarch Rendell. Nina moves her children to Lovecraft, Massachusetts, to live with their uncle Duncan in Keyhouse—the mysterious childhood home of Rendell Locke. Before you know it, things grow darker as the mysteries of Keyhouse are learned and the live of the Locke family grow more and more complex.

Well, start crossing your fingers that Locke & Key gets picked up elsewhere because the pilot has a strong pedigree guiding it.

Thursday, April 21, 2011

IDW Previews First Issue of 'Locke & Key: Keys to the Kingdom'


I have become an enormous fan of Joe Hill and Gabriel Rodriguez’s wonderfully suspenseful Locke & Key series. Two weeks ago the series received four well-deserved Eisner nominations. In anticipation of the series’ fourth volume, “Keys to the Kingdom”, IDW has allowed CBR to release the first issue of the book in its entirety.

I’ll warn you not to take a gander if you haven’t read the previous three volumes, though there is a recap page for the series. Locke & Key is best appreciated from the beginning. From these first pages, it looks as though Hill and Rodriguez keep things as dark and as imaginative as ever!

Locke & Key: Keys to the Kingdom is scheduled for release this July.

Thursday, February 3, 2011

The Locke Family is Complete, Jesse McCartney Cast in 'Locke & Key'



I’m new to the world of Locke & Key, but that hasn’t kept me from instantly embracing one of the coolest and most inventive books in years (see my review of the first trade—I finished the second amazing trade last weekend). The book is being developed into a new series for Fox and singer/actor Jesse McCartney is the final member of the Locke children to be cast.

McCartney, who is currently voicing Robin in Young Justice, will play troubled son Tyler Locke. The actor joins Miranda Otto (Nina), Sarah Bolger (Kinsey), Skylar Gaertner (Bode), and Nick Stahl (Duncan).

Wednesday, January 12, 2011

Nick Stahl Joins 'Locke & Key' Series


Now that I have finished the first volume of Locke & Key, I am officially excited for Fox’s new adaptation of the popular comic book. I do see that the show may have to tone down some of the elements of the comic book. Yes, I’ve seen 24, but Locke & Key goes to some really dark and violent places of its own.
Nick Stahl was announced today to play the role of Duncan Locke, the younger brother of Rendell Locke, whose murder sets the events of the story in motion. I was watching Terminator 3: Rise of the Machines this weekend and wondered what had become of the actor. The Fox series has been pushed back to May and will also feature Miranda Otto as Nina and Sarah Bolger as Kinsey.

'Locke & Key: Welcome to Lovecraft'


By Don M. Ventura
Locke & Key, Volume 1: Welcome to Lovecraft
IDW
««««

Over the past six months I’ve been trying to pick up as many of those books that seems to be unanimously recommended.  While it was definitely on my short list, I had often heard Locke & Key described as gothic, a word that rarely elicits a positive response.
 
And it would be apropos to describe the setting of Locke & Key as gothic, but my reaction was nothing short of delight at the original story that unfolded in the first hardcover trade Locke & Key: Welcome to Lovecraft.
Locke & Key is the story of Locke family—three children and their mother—who have survived the brutal murder of their patriarch to the classmates of the eldest son. Tyler, Kinsey and Bode are the Locke children, who move to Lovecraft, Massachusetts, with their mother Nina and their uncle Duncan.   The family have come to stay at Keyhouse, their father’s childhood home. Little time is wasted before we learn that Keyhouse is just oozing with creepy things.
A well that speaks to Bode, the youngest of the Locke children. A doorway that, once passed through, turns you into a ghost while your lifeless body waits for you to return. Another door changes your sex when you walk through it. Pictures can call out to you. The book intimates to many more of Keyhouse’s eerie features, but you get the idea. This is Amityville with genuine chills.
Joe Hill has written a creatively frightening story with this opener to Lock & Key that I was only able to put down by finishing the damn thing.  While the tone remains dark throughout, Hill protects his story from growing too morose by seeing much of the action through the eyes of young Bode, who narrates a great deal of the story. Nonetheless, we only begin to scratch the surface of how truly dangerous Keyhouse really is. By the story’s conclusion the Locke’s are generally still unaware of what they have walked into.
The scenes that carried the most emotional heft in the book are those that feature Kinsey as she tries to adapt to life in Lovecraft by blending in and going unnoticed. She does not want to be known as the girl whose father was murdered. Hill taps into the truest, most honest feelings during these scenes as Kinsey struggles to maintain normalcy while holding people at arm’s length.
The art by Gabriel Rodgriguez fits the tone of Hill’s scripts. I was glad to see that the artist has remained on the book through it’s current run (the fourth trade will be released later this year). Rodriguez draws really gruesome scenes of hyper-violence—and Hill writes enough of those—but his characters faces are so emotive, which is essential to the story being told.
Of all the nightmares in Locke & Key, the worst of them is Sam Lesser. Sam is a sad sack teenager who attends high school with Tyler and stumbles upon the secrets of Keyhouse. Sam is easily seduced by a voice that promises everything Sam has always wanted: a better face and a better life.  Sam lives in his own nightmare of being shared between two parents who seem to challenge one another to love their son less.
Sam goes on a murdering spree to unlock the secrets of Keyhouse. Tearing apart the Locke family was only the start. He carelessly lays waste to several innocents (well, most of them) as he makes his was to Keyhouse and the voice that is beckoning him.
Locke & Key is a haunting book. I mean in that wonderful way where you continue to think about it over the next few days and pull it back off the shelf to look back through it, immediately reminding yourself that it was as good as you remembered.
Perhaps the most surprising thing for me was the amount of heart at the heart of this book. Hill takes time to get squarely into the heads of Locke & Key’s three protagonists and how they deal with the unimaginable death of their father. There is nothing disingenuous here. There is Kinsey trying to remain hidden, Bode going about life and making naively honest observations, and Tyler as he copes with the guilt over his father’s murder. The only small qualm I had was how little time is spent with Nina.
Locke & Key: Welcome to Lovecraft is deserving of all the praise bestowed upon it. Now onto Locke & Key: Head Games!