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Monday, January 10, 2011

Alex Ross Gets in on the 'Action'


I am pretty easy to please when it comes to re-imaginings of classic comic book covers. I tend to enjoy work like this from Alex Ross than the paintings of famous characters staring into the camera with an imposing glare. Of course this is Ross' version of Action Comics #1 (below), which will serve as a variant cover for Action Comics 900th issue.

Action Comics #900 is scheduled for release this April with Paul Cornell and Pete Woods on the main story: a face-off between Superman and Lex Luthor (this is news because Supes has been absent for months from the title). A cadre of unnamed writers and artists will be on hand to usher in the milestone comic book.

Sunday, January 9, 2011

Opening Credits of 'The Cape' Have Street Cred


Well, I'm not certain that I found NBC's latest superhero offering The Cape totally engrossing, but I did enjoy the opening credits with art by Michael Gaydos (Alias), Gabriel Hardman (Hulk) and John Cassaday (Astonishing X-Men).

Take a look:

 

Wednesday's Finest: 'Who is Jake Ellis?' #1


By Don M. Ventura

Who is Jake Ellis? #1
Image Comics
««««

Who is Jake Ellis? represents a seamless pairing of writer and artist. Nathan Edmondson and Tonci Zonjic have produced a fantastic first issue that immediately draws the reader in, grabs you, and holds tight through the final page.

Jon Moore is a spy working for the European criminal underground whose life appears to be pretty worthless as he may have more than one bounty on his head. Thankfully he has Jake Ellis to back him up in a way that most would consider invaluable (if not distracting).

Jake is a phantom of some sort who only Jon can see and hear. While Jake is not entirely omnipotent he knows much of what is going on in close proximity to Jon, which is enough to keep Jon’s head free of bullets and his heart pumping.

I hadn’t heard of Edmondson’s work prior to this title, but this was a pleasant introduction to the writer’s work. The story is inventive, fast-paced, the dialogue is sharp and the plot is solid enough to add the follow-up issue to your pull list for certain. The story opens with Jon sitting with some crime bosses on a yacht; they are not happy about a job he’s completed for them. It is a bit fuzzy whether or not Jon is paying attention to them or having a separate conversation. Things go bad and Jon attacks the men and jumps overboard. The scene is repeated, this time with Jake in the background informing Jon that the men intend to kill him and Jake guides his partner off the boat.

All of this is drawn by Zonjic in a wonderful retro-style, which is fitting for the story. I have become a big fan of this form of artwork (like Darwyn Cooke, Sean Phillips or Chris Samnee) that is simple but expressive. Each page is absolutely lovely and we are treated to some seriously explosive shots; in particular, a scene in which Jon ducks before a bullet can hits his head—we see the bullet explode from the barrel, zip right above Jon’s scalp, and another shot of the bullet just barely clipping a cowlick. This is followed a gorgeous splash page of Jon submerged and on his way to safety.

Edmondson’s dialogue is sharp. Jake tries to warn Jon to keep his guard up: “Jon, I know you won’t listen to me about this, but let me be the one to advise you to get on the defensive.” Jon responds: “You’re right. I won’t listen to you about that.”

This is an inventive story that doesn’t let the reader in on who Jake Ellis really is, but we buy the reality immediately. Some of the best storytellers remain somewhere between mysterious and ambiguous about the supernatural elements of their stories; sometimes it’s best to give us the what before the why and how. This way we can buy into it before the explanation.

One last thing about the beauty of the book is the striking cover art and masthead. The cover alone got me to read the original solicit.

The only criticism I have about Who is Jake Ellis? is my disappointment that it’s only a five-issue mini-series. If this is any indication of what is to come from Edmondson this year, then he is off to a spectacular start.

Cape Town Capsule Reviews, 1/5/11 Releases


By Don M. Ventura

Avengers Prime #5 (of 5)
Marvel Comics
««««

Not one issue was wasted in this action-packed bi-monthly mini-series by Brian Michael Bendis and Alan Davis. I’ve previously noted that all of Bendis’ Avengers work has not been my favorite, but this story has been fun and exciting throughout.

This issue serves as the final battle between Steve Rogers, Iron Man, Thor, and the populace or Asgard against the sorceress Hela and her minions. Davis draws fantastic battle sequences in this issue. I’m not kidding. Really, really fantastic. There is a two-page splash with Hela riding atop a dragon as her army charges the heroes that is the best work he’s done on this series.

Bendis keeps most of the action between Thor and Hela, but Steve and Iron Man are not without stuff to do. Tony Stark tells the God of Thunder, “Thor, if they made a greeting card that said: Congratulations on your army gathering skills… I would buy you one.” Bendis accomplished what he set out to do with Avengers Prime, establish the friendship between its three leads and give the readers an excellent story along the way. Nicely assembled.

Steel #1 (One-Shot)
DC Comics
«½

I am only speaking about the books on my pull list, but this was not a great week for DC Comics. Steel underwhelmingly meets his maker by the close of this inaugural issue to the “Reign of Doomsday” storyline. “Reign” will carry over into other DC books over the next few months as Doomsday takes on the Supermen who appeared after the “Death of Superman” storyline.

What is odd is that these characters rose to prominence after that seminal Man of Steel tale, and there is no hint in the book why Doomsday would be holding a grudge against them. The story here is really one-note with a couple of flashbacks to let the reader know who John Henry is, only in a literal sense, and how he became Steel.

Death in comic books can be done right, but more often than not it can be done wrong. Steel was a passionless book that wasted pages of the character getting beat to a pulp but there was no sense of genuine heroism in his plight, and certainly no sense of loss in his death. What a shame.

Superboy #3
DC Comics
««

After the third issue of this title I find myself trying too hard to enjoy it because I have such an affinity for this character. I began reading Superboy stories when he appeared in Geoff Johns’ Teen Titans run, but Superboy series writer Jeff Lemire has been more miss than hit on this book.

I get the sense Lemire is trying to do some quality things on this book— establish a unique identity for Connor Kent and create an action fantasy for the character outside of team-ups in other books. Unfortunately the writer does not seem like a good fit for super hero comics based on his work on Superboy.

As each issue passes I also find more fault in the work of artist Pier Gallo. The faces on his characters are all far too similar and their eyes are soulless. Allow me to be nitpicky on a few things. I understand that Superboy’s jeans are tight because they are a part of his costume; however, on Connor it looks awkward. I also did not buy that Connor would sport a primary-colored backpack.

Batman Beyond #1
DC Comics
««

I picked up this title because I enjoyed the original television series and I had heard a lot of good things about the mini-series from the same creative team as this book, Adam Beechen and Ryan Benjamin. However, this book did not grab me.

The story revolves around Terry McGinnis, Gotham’s future Dark Knight, as he continues to adjust splitting his personal and vigilante lives. The story is pretty standard as a man dying due to his exposure to metahuman substances decides to take revenge on the superhero community.

This wasn’t a bad comic book by any means, but there was nothing fresh about the story or dialogue. Fans of the character may find this book compelling enough, but I wouldn’t recommend Batman Beyond to anyone falling outside of that group.  

Bring the Thunder #2
Dynamite Comics
««

The first issue of Bring the Thunder showed some promise, but much of the freshness is lost in this second outing.

Problem number one: much of this book takes place in urban Chicago as our hero comes face to face with street thugs. While I appreciate that series writer Jai Nitz seems to have brought authenticity to the practices of street gangs, the dialogue feels anything but authentic. Combining superhero stories with real world problems is a tricky thing and can all too often fall flat on its face.

There were also some distracting story choices in this issue. Our protagonist, Wayne Russell, is reunited with his wife after a mysterious one year absence. Wayne learns one of his sons is running around with a street gang to keep his family safe and his other son suffered a nervous breakdown when he thought Wayne was killed in Afghanistan. Wayne goes for a checkup with his wife then heads home. Wouldn’t it have been more likely—and dramatic—had he gone to see the son that had the breakdown?

I would like to see more of the creativity that Nitz brought to the first issue of the book if I continue reading Bring the Thunder.

Sweets #4 (of 5)
Image Comics
««««

Sometimes when an artist decides to tackle the script as well as the artwork the results can be mediocre storytelling.

This has not been the case for Sweets, a bi-monthly comic written and drawn by Kody Chamberlain. Sometimes you can pick up a comic book and recognize that you are reading a labor of love. Every page of Sweets #4 is gorgeous from start to finish.

Detective Curt Delatte is in the hospital after he and his partner were gunned down by the serial killer who they tracked down in the previous issue. Delatte is a remarkable detective who learns in the final pages of this issue that the cause of his unimaginable pain has become even more unimaginable.

Chamberlain’s script work is as on point as his art. The writing is smart, real, and touching. The final scene of the issue is as powerful as it is unexpected. If you haven’t been reading Sweets, either get to your back-issue bin or pray that Image puts out a trade of this wonderful mini.

Thursday, January 6, 2011

Samnee and Hardman Take on the World's Finest


Yesterday Chis Samnee posted this charming take on Superman and Lois Lane to his blog. I first discovered the artist last summer when he began work on the short-lived but much-loved Thor: The Mighty Avenger. You can enjoy more of Samnee's work on his blog as well as on Comic Twart, where he regularly contributes fantastic pieces.

Gabriel Hardman tweeted the following piece on Batman today and it is, as usual, a superb piece of work. Hardman gained a lot of notice last year after taking over the reigns on Hulk from Ed McGuiness. This piece makes me wonder if there's room for just one more Bat-book on the comic book shelves.

The Cape Town Community Podcast is Coming, Part 1


I was excited today to receive two brand new Nady MPF-6 six-inch clamp-on microphone pop filters. I know, right?
From where doth mine excitement derive? These are the first two pieces of equipment for a new podcasting venture that is coming, fingers crossed, in the next two weeks. After months of discussion, my good friend Jerry and I are going to throw our capes into the over-saturated podcasting arena to record a weekly comic book podcast.
I guess with the arrival of some equipment I thought it might be a good time to start chronicling the creation of the podcast, so expect at least two or three more posts about this exciting new venture.  We’ve met and hammered out a format for the show—do we call it a show?—and discussed a lot of the logistics. Now as we get closer to our date we’ll pin down all the finer points.
The Cape Town Community Podcast will be a weekly review show that spotlights eight new books from the previous week (though if it’s a particularly good week, we would not be averse to discussing one or two more if time permits). We’ll end the show with discussion of the week’s most recent news in the world of comic books and comic book related entertainment.
I ordered most of the equipment on January 1st, which I thought was as appropriate a date as any to get the ball rolling. Because I tend to revert to technophobia if I don’t immediately understand something that runs on electricity, I have enlisted the help of smarter people than myself to ensure I have all the doodads and whirly-whatzits necessary to record a banter-filled podcast.
I’m having a difficult time sleeping just knowing that any day an M-Audio MobilePre USB mobile preamp and audio interface is going to arrive on my doorstep. And forget about it when the 2x Apex 435 wide diaphragm studio condenser microphone-thingy get here!
Next up: Finalize an opening script (we don’t want to sound dumb), hammer out our format, and identify any more thingamabobs we might require.
Stay tuned dear readers!

Get Ready for a Little Torment Batgirl. Damian Wayne to Pay a Visit in 'Batgirl' #17


Of everything Grant Morrison has done to the Batman universe, my favorite accomplishment has have to be the introduction of Damian Wayne into the fold. It also seems that DC’s writers are feeling more comfortable bringing Bruce’s temperamental son into new stories outside of Batman and Robin.

A few months ago Damian appeared alongside Supergirl in in Josh Williamson’s Superman/Batman #77 in which the scrappy hero helped the Girl of Steel solve an inordinately large scale murder in Metropolis. Of course, he’s being used wonderfully in JT Krul’s new run on Teen Titans. Damian has become a perfect foil for the likes of Superboy, Wonder Girl and Kid Flash and has found a kindred spirit in Ravager.
Robin appears next, outside of Batman and Robin, in next week’s Batgirl #17 (above). Judging by the preview on DC’s blog the Source today, series writer Bryan Q. Miller has a solid understanding of the character—who is not mean for the sake of being mean. He simply cannot be bothered with to be treated like a child in any shape or form. Alfred Pennyworth will one day understand this.

Wednesday, January 5, 2011

'The Green Hornet' Deserves Some Buzz


Some words are worth eating, and I may be dining on my own in about a week.
That’s when The Green Hornet is released—a film that enjoyed little buzz or fanfare after the film’s trailer premiered last summer. Its credibility wasn’t helped any by releasing the film in January (the tomb of forgotten films) or the fact that its director and star are untested in this genre of film. Michel Gondry (Eternal Sunshine of the Spotless Mind) directs Seth Rogan as publishing heir Britt Reid who becomes the Green Hornet to avenge his father’s death and take down crime in Los Angeles. Joined by his sidekick Kato, the two infiltrate the underground crime scene by posing as criminals to take it down from the inside.
I thought the first trailer was pretty unimpressive, but some of the new clips demonstrate that Gondry knows how to handle an action sequence.  The following scene reminds me of an old issue of Robin in which Tim Drake surveys his environment and takes stock of everything he can use as a weapon. Here Kato does the same and Gondry employs some inventive techniques to demonstrate Kato’s sharp fighting skills.



This second scene establishes that we may be in store for some serious fun and well choreographed action sequences. Watch as Kato jumps into the car next to him to conduct some sweet bad guy dispensing in a matter of seconds. It looks as though Jay Chou’s Kato is going to be the real secret weapon behind The Green Hornet.





The Green Hornet hits theaters on January 14th.

Tuesday, January 4, 2011

'Young Justice' Clip: Speedy Returns


So we haven't seen the last of Speedy yet it appears (see clip below). After being treated like a sidekick by the Justice League, Speedy stormed out of the Hall of Justice leaving Robin, Kid Flash and Aqualad behind in the one-hour Young Justice premiere movie that aired in November.

The opener showed a lot of promise, both in animation and storytelling. The folks at DC Entertainment have created another strong entry into an already amazing catalog of animated series and movies.

Young Justice begins airing this Friday on the Cartoon Network at 7 p.m./ 6 p.m. Central.

The 'X' that Started it All: 'X-Men' #149


I couldn’t tell you much of what the book was about, but I distinctly remember the first comic book that got me into collecting comic books. It was Uncanny X-Men #149 featuring a mediocre cover by the late great Dave Cockrum that has all of the X-Men walking through an ominous cave. Cockrum has been the creator of many iconic X-Men covers, but the team creeping through the dark holding flashlights (ala Scooby Doo) just didn’t seem to strike the right chord.
Nonetheless I picked this one up because I always liked the idea of superhero teams (I was raised on the Superfriends but my tastes were maturing past space monkeys and magical twins).  Perhaps it was because we couldn’t afford stacks of comic books and a book with five or six heroes in it seemed to give me the most bang for my quarters.
The reason this issue always stuck in my head though was the unforgettable the costume worn by the youngest member of the team: Kitty Pryde. Up until that point in the series Kitty had been wearing the classic black and yellow costume that all of Xavier’s students were relegated to wear upon entry to his oft-attacked academy for the gifted.
Kitty is notorious for her history of tacky costumes, but this was by far the worst she’d crafted. No two pieces of the outfit (and there were a lot of pieces) seemed to go together. It was a shiny gold body suit with green shorts, striped leggings, a sleeveless t-shirt with lightning bolts, and she wore roller skates. She could have been confused for Dazzler’s developmentally disabled sister.  It looked like Destiny put her costume together for her. The costume may have been a joke but its impact on my memory was nothing to laugh at.
The book ended with some guy named Scott Summers and his lady friend being trapped by some cool looking villain named Magneto. The book led into an awesome double-sized issue #150 where the rest of the X-Men take on this Magneto guy then welcome Scott back to the team (apparently his other lady friend had died about a year before that).

Is Bleeding Cool Spoiling Something Fantastic?


Bleeding Cool has a link to a post with the intriguing art featured above. The story promises to spoil what is currently one of the biggest secrets in comics: which member of the Fantastic Four is going to die? If you don't care to be surprised or are not reading Jonathan Hickman's game-changing "Three" storyline then by all means click here. I'm not promising that it is indeed the spoiler that it appears to be, but it sure looks like they are preparing the most curious of cats for a genuine answer.  Personally, I will wait until issue #587 of Fantastic Four is published on January 26th.

You've been warned.

DC's Super Tuesday!


DC exploded with the Superman news today on their blog the Source.
But we needed a little exploding after a pretty ho-hum year for the character in 2010. I enjoyed the quickie wrap-up minis that resolved the “New Krypton” storyline (War of the Supermen and Last Stand of New Krypton). Superman had been away for over a year and it was time for him to get back to business saving the people of Metropolis. Heck, the whole planet.
It's Superman vs. his greatest enemy
in Action Comics #900.
Then he got slapped. J. Michael Straczynski introduced the “Grounded” storyline in which Superman realizes, after a slap and verbal thrashing by an angry widow, that he has been disconnected from the people of his adopted planet. He remedies this by walking across the country and helping out real folks by getting down to their level and doing what Superman does best: moralizing, answering questions with questions, quoting Thoreau, and all the things that Superman must have done in between everything else we’ve ever read about him because this Superman was virtually unrecognizable. Okay, that’s my last word on Straczynski’s run on Superman (I hope).
Onto the good news. First, look at that damn fine teaser image (above) that DC released featuring hundreds of different Supermen flying around. This is what I would like to see—something fantastic. The artist isn’t credited, but it looks like current Superman artist Eddy Barrows.
Superman and the Flash will cross paths in
the pages of Chris Roberson's Superman.
Superman’s walk may not be ending, but it’s going to be guided by Chris Roberson (iZombie and last week’s Superman/Batman #79). While Roberson is not going to end the “Grounded” storyline immediately, it sounds like he’s going to spice things up with visits by some of Superman’s pals: Flash and Batman will make appearances in two of the eight stories that Roberson plans to right for “Grounded.” I wonder if this means that the much maligned (well, by me) G. Willow Wilson “Grounded” interludes will not be featured in the eventual trades?
I am eager to read what Roberson has in mind for the character.  I liked the Bronze Age charm of his Superman/Batman story; it will be interesting to see what path he takes Superman down with “Grounded.” He’s working from Straczynski’s original story notes, but he’s said he’s planning to put his own spin on the book.
In other news, Superman will be returning to the pages of Action Comics in time for its upcoming issue #900. Superman will go head to head with the book’s current protagonist, Lex Luthor. Paul Cornell has been doing a sensational job on Action with his take on Lex and really giving fans an off-kilter super villain team-up book. However, I’ve been questioning whether or not Cornell is too unconventional to write a Superman book. Cornell has done enough really fun stuff on the book to trust that he will take Superman to some very interesting places.
The WB released their poster for the final season of Smallville (below, a show I still find myself referring to as Superboy). Now, this is a cool ad. Clark Kent standing in front of the famous chest plate—in a brilliant silver that is reminiscent of the original 1978 Superman film but shaped like the 2006 film version.
With previews of tomorrow’s Steel and Superboy previews, DC promised a day of cool Superman news and they weren’t kidding.

The WB teases the final season of Smallville.

Monday, January 3, 2011

'Captain America' Set Visit Previewed on ET

Entertainment Tonight previewed its Captain America: The First Avenger set visit on Monday, but there is no word yet on when the story will run. It would be fairly easy to guess that the feature will air sometime in the next few days; ET does not usually wait too long to run a feature once it is teased.

Here are six seconds of Chris Evans as Captain America!

Marcos Martin Draws an Amazing Spider-Man


Marcos Martin created a fantastic variant cover for Amazing Spider-Man #648. His cover for issue #655 (below) is flat-out haunting. Marvel released a interior page (above) from the issue without any dialogue that depicts the day Peter Parker’s life took purpose. Martin’s take on Spider-Man is reminiscent of the old cartoon from the 60’s and the original Steve Ditko work. I cannot wait to get my hands on his run on the Dan Slott penned series and just soak up more of this gorgeous artwork.
The Amazing Spider-Man #655 is scheduled for release on February 16, 2011.

DC Draws a Line in the Sand


It’s great to see that DC is committed to providing a more affordable product going into the new year. While the news of the move to a $2.99 price point for all of their ongoing and newly launching titles came at the New York Comic Con last October, they reminded their readers of the pricing today on their blog, the Source. It will also be interesting to see how a reduced page count (from 22 to 20) will affect the storytelling.
Of course it would be great if Marvel found it commercially viable to follow suit with an across-the-board drop in prices as well (to be fair, all new Marvel ongoing titles launching from this point forward will be $2.99). However, it is hard to dispute the quality of Marvel’s storytellers—Marvel has exclusive deals with some of the best writers in the business (Brian Michael Bendis, Ed Brubaker, Jonathan Hickman and Matt Fraction). It takes money to put out fresh and inventive stories using characters that have been around for decades; there’s a reason that Marvel refers to these writers as its Architects.
With the advent of the iPad and other digital readers into the market, 2011 might be the year that digital comic books begin really making a dent in retail sales. While this may not be great news for the retail market, it could mean an eventual reduced price for new comic books (Dark Horse is making their digital issues available for $1.49 and DC has back issues for $1.99).
2011 might be the year that the digital market explodes, making it feasible to bring price points lower. As the publishers test this new arena in moving their product, it will be interesting to see the financial benefits that might be passed on to the readers.