Life can be unfair. When DC relaunches all of their books to what they are hopeful will be great fanfare in a couple of weeks, two of my favorites titles not be a part of the festivities: Power Girl and Batgirl. Well, not this Batgirl at least.
I’ve been following the exploits of Stefanie Brown since she teamed up with Supergirl to fight a few dozen Draculas in the re-readable Batgirl #14. It’s great to see the character go out on a high note—although it is far, far too soon. At the conclusion of the last issue Stephanie had come face-to-face with her criminal father, the Clue Master.
In this issue, the two have a quick showdown between father and daughter before Stephanie is taken down by a whiff of the Black Mercy (DC horticulturists will know what the plant is). What follows is a powerful scene between the young heroine and her mother that ties their relationship up nicely and a sweet cameo by Robin (writer Bryan Q. Miller know precisely how sweet he can go with Damian Wayne).
In the final scene, Stephanie shares a moment with Barbara Gordon on a rooftop where we are treated to seven beautiful pages by artist Pere Perez as we see Stephanie’s “heart’s desire.” I won’t spoil what she experienced while subjected to the Black Mercy, but it was touching, dramatic, funny and everything you would expect from Miller, who has given his protagonist one of the strongest, most confident voices in comics. After a beloved two-year run, Miller sends Gotham’s brightest crime fighter off with undeniable class.